![]() ![]() ![]() ![]() The earliest of these columns, dating from 1908, primarily argue for or against the inclusion of accompanimental music or discuss what kinds of music-classical instrumental, operatic, popular-for the cinema are most appropriate (or inappropriate) for the nascent art form. Author(s): Kendra Leonard (see profile) Date: 2018 Group(s): American Musicological Society, Film Studies, Music Library Association, Society for Music Theory Subject(s): Musicology, Motion pictures, History, Motion picture music Item Type: Book chapter Tag(s): silent film, Film history, Film music Permanent URL: Abstract: Between 19, when sound film became standard, numerous American publications for both those involved in the film industry and the general public, such as Moving Picture World, Motion Picture News, and Exhibitors Herald, included regular columns by cinema conductors, composers, and arrangers like Samuel Berg, Ernst Luz, and Clarence Sinn for theatre accompanists on selecting and performing music for motion pictures. ![]()
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